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DTSTART;TZID=UTC:20240918T210000
DTEND;TZID=UTC:20240918T233000
DTSTAMP:20260404T064043
CREATED:20240810T143358Z
LAST-MODIFIED:20240810T143358Z
UID:10001199-1726693200-1726702200@cosfordcinema.com
SUMMARY:"FURIOSA: A MAD MAX SAGA" (2024) FREE SCREENING
DESCRIPTION:The University of Miami’s Cinematic Arts Commission (CAC) invites you to a free screening of “Furiosa: A Mad Max Saga\,” the prequel to “Mad Max: Fury Road” starring The Fall Guy” (2024)\, an action-comedy about the relationship between a movie stunt man (Ryan Gosling) and the director (Emily Blunt) of his current movie. \nShowtimes are 9 p.m. Wednesday Sept. 18 and 8 p.m. Saturday Sept. 21. The screening is free and no tickets or registration required.
URL:https://cosfordcinema.com/event/furiosa-a-mad-max-saga-2024-free-screening/2024-09-18/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:CAC,Free screenings
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/08/furiosa.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240916T193000
DTEND;TZID=UTC:20240916T213000
DTSTAMP:20260404T064043
CREATED:20240910T000145Z
LAST-MODIFIED:20240910T000436Z
UID:10001257-1726515000-1726522200@cosfordcinema.com
SUMMARY:"LEE" (2023) FREE PREVIEW SCREENING
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\nIn conjunction with the Miami Jewish Film Festival\, the Cosford Cinema invites you to a free preview screening of “Lee\,” the true story of a fashion photographer who became a war correspondent during World War II\, starring Kate Winslet. The screening will be held at 7:30 p.m. Monday\, Sept. 16. \nLEE | 2023 | DIRECTOR: Ellen Kuras | WITH: Kate Winslet\, Alexander Skarsgard\, Andy Samberg\, Andrea Riseborough\, Marion Cotillard\, Josh O’Connor | RUNNING TIME: 1 HOUR 56 MINUTES | RATED R for disturbing images\, language and nudity | PROJECTED IN 4K DCP \nThe directorial feature from award-winning cinematographer Ellen Kuras portrays a pivotal decade in the life of American war correspondent and photographer\, Lee Miller (Kate Winslet). \nMiller’s singular talent and unbridled tenacity resulted in some of the 20th century’s most indelible images of war\, including an iconic photo of Miller herself\, posing defiantly in Hitler’s private bathtub. \nMiller had a profound understanding and empathy for women and the voiceless victims of war. Her images display both the fragility and ferocity of the human experience. Above all\, the film shows how Miller lived her life at full-throttle in pursuit of truth\, for which she paid a huge personal price\, forcing her to confront a traumatic and deeply buried secret from her childhood. \n\n  \n“In a lifetime of well-chosen roles\, this may be Kate Winslet’s richest. She gives us a restless\, fierce\, independent woman who found her voice as a witness to war\, and paid the psychological price. To direct\, Winslet brought on the great cinematographer Ellen Kuras\, who worked with her on “Eternal Sunshine of the Spotless Mind\,” and who shapes the film with supreme authority and intelligent choices at every turn. — Caryn James\, BBC \nAdmission is FREE but registration required at link above.
URL:https://cosfordcinema.com/event/lee-2023-free-preview-screening/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Sneak Previews,Special Screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/09/lee-kate-winslet.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240915T130000
DTEND;TZID=UTC:20240915T150000
DTSTAMP:20260404T064043
CREATED:20240811T144800Z
LAST-MODIFIED:20240811T145541Z
UID:10001231-1726405200-1726412400@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "BLACK NARCISSUS" (1947)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, Septermber 15\, for a screening of 1947’s “Black Narcissus.” This explosive work about the conflict between the spirit and the flesh is the epitome of the sensuous style of co-directors Michael Powell and Emeric Pressburger. \nBLACK NARCISSUS | 1947 | DIRECTORS: Michael Powell\, Emeric Pressburger | WITH: Deborah Kerr\, Kathleen Byron\, Flora Robson | RUNNING TIME: 1H 41M | UNRATED no offensive material | PROJECTED IN 2K DCP \nA group of nuns—played by some of Britain’s finest actresses\, including Deborah Kerr\, Kathleen Byron\, and Flora Robson—struggle to establish a convent in the Himalayas\, while isolation\, extreme weather\, altitude\, and culture clashes all conspire to drive the well-intentioned missionaries mad. A darkly grand film that won Oscars for Alfred Junge’s art direction and Jack Cardiff’s cinematography\, Black Narcissus is one of the greatest achievements by two of cinema’s true visionaries. \n\n  \n“Black Narcissus is a film about people who try and fail to remake the world to their specifications\, and it was paradoxically made by people who control every square inch of the environment being represented—every sliver of light\, every quavering breeze—in order to render its effect on frozen consciousness as vividly and dramatically as possible. \n“The sisters in Black Narcissus are taken aback to find their buried memories and unfulfilled yearnings spontaneously conjured to life as they contemplate the apparently limitless horizon. “I think you can see too far\,” observes Sister Philippa (Flora Robson\, who gives the film’s most delicate and underrated performance)\, by way of explaining the sudden intrusion of past experiences into her heretofore perfect spiritual life. \n“in Black Narcissus\, the growing affection and understanding between David Farrar’s Mr. Dean and Deborah Kerr’s Sister Clodagh\, both fixed in their solitude\, remain unremarked and unfulfilled\, a matter of quick glances\, sympathetic exchanges\, and poignantly masked surges of feeling.” — Kent Jones \nTickets are $5 and available at link above. Students use UMSTUDENT for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-black-narcissus-1947/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/08/s910-a0c27f.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240914T200000
DTEND;TZID=UTC:20240914T220000
DTSTAMP:20260404T064043
CREATED:20240810T142836Z
LAST-MODIFIED:20240810T143458Z
UID:10001196-1726344000-1726351200@cosfordcinema.com
SUMMARY:"THE FALL GUY" (2024) FREE SCREENING
DESCRIPTION:The University of Miami’s Cinematic Arts Commission (CAC) invites you to a free screening of “The Fall Guy” (2024)\, an action-comedy about the relationship between a movie stunt man (Ryan Gosling) and the director (Emily Blunt) of his current movie. \nShowtimes are 9 p.m. Wednesday Sept. 11 and 8 p.m. Saturday Sept. 14. The screening is free and no tickets or registration required.
URL:https://cosfordcinema.com/event/the-fall-guy-2024-free-screening-2/2024-09-14/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:CAC,Free screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/08/dbbf5ea0-1ed8-4aae-9fe9-abad451b0092_1920x1080.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240911T210000
DTEND;TZID=UTC:20240911T230000
DTSTAMP:20260404T064043
CREATED:20240810T142836Z
LAST-MODIFIED:20240810T143458Z
UID:10001195-1726088400-1726095600@cosfordcinema.com
SUMMARY:"THE FALL GUY" (2024) FREE SCREENING
DESCRIPTION:The University of Miami’s Cinematic Arts Commission (CAC) invites you to a free screening of “The Fall Guy” (2024)\, an action-comedy about the relationship between a movie stunt man (Ryan Gosling) and the director (Emily Blunt) of his current movie. \nShowtimes are 9 p.m. Wednesday Sept. 11 and 8 p.m. Saturday Sept. 14. The screening is free and no tickets or registration required.
URL:https://cosfordcinema.com/event/the-fall-guy-2024-free-screening-2/2024-09-11/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:CAC,Free screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/08/dbbf5ea0-1ed8-4aae-9fe9-abad451b0092_1920x1080.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240909T193000
DTEND;TZID=UTC:20240909T213000
DTSTAMP:20260404T064043
CREATED:20240906T152636Z
LAST-MODIFIED:20240906T172136Z
UID:10001256-1725910200-1725917400@cosfordcinema.com
SUMMARY:"THE CRITIC" FREE SNEAK PREVIEW SCREENING
DESCRIPTION:In collaboration with the Miami Jewish Film Festival\, join us for a free preview screening of “The Critic\,” starring Ian McKellen\, Gemma Artenton and Mark Strong. The screening will be held at 7:30 p.m. Monday Sept. 9. No registration/tickets required. \nSet against the backdrop of 1935 pre-WWII England\, this gripping tale delves into the cutthroat world of theatre\, where ambition and deceit reign supreme. \n\n  \nAdmission is free. No registration required.
URL:https://cosfordcinema.com/event/the-critic-free-sneak-preview-screening/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Sneak Previews,Special Screenings
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/09/thecritic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240908T130000
DTEND;TZID=UTC:20240908T150000
DTSTAMP:20260404T064043
CREATED:20240811T140128Z
LAST-MODIFIED:20240811T144928Z
UID:10001230-1725800400-1725807600@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "THE GLEANERS AND I" (2000)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, Sept. 8\, for a screening of Agnes Varda’s “The Gleaners and I” (2000)\, a self-reflexive documentary in which the French cinema icon explores the world of modern-day gleaners: those living on the margins who survive by foraging for what society throws away. The movie ranked 69th in the 2022 Sight and Sound poll of the 100 greatest movies ever made. \nTHE GLEANERS AND I | 2000) | WRITER-DIRECTOR: Agnes Varda | RUNNING TIME: 1H 22M | IN FRENCH WITH ENGLISH SUBTITLES | UNRATED No offensive material | PROJECTED in 2K DCP format \nEmbracing the intimacy and freedom of digital filmmaking\, Varda posits herself as a kind of gleaner of images and ideas\, one whose generous\, expansive vision makes room for ruminations on everything from aging to the birth of cinema to the beauty of heart-shaped potatoes. \nBy turns playful\, philosophical\, and subtly political\, “The Gleaners and I” is a warmly human reflection on the contradictions of our consumerist world from an artist who\, like her subjects\, finds unexpected richness where few think to look. \n\n  \n“In “The Gleaners and I\,” Varda has a new tool–a modern digital camera. We sense her delight. She can hold it in her hand and take it anywhere. She is liberated from cumbersome equipment. “To film with one hand my other hand\,” she says\, as she does so with delight. She shows how the new cameras make a personal essay possible for a filmmaker–how she can walk out into the world and without the risk of a huge budget simply start picking up images as a gleaner finds apples and potatoes. \n“My hair and my hands keep telling me that the end is near\,” she confides at one point\, speaking confidentially to us as the narrator. She told her friend Howie Movshovitz\, the critic from Boulder\, Colo.\, how she had to film and narrate some scenes while she was entirely alone because they were so personal. In 1993 she directed “Jacquot de Nantes\,” the story of her late husband\, and now this is her story of herself\, a woman whose life has consisted of moving through the world with the tools of her trade\, finding what is worth treasuring.” — Roger Ebert \nTickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-the-gleaners-and-i-2000/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/08/The-Gleaners-and-I-1-1600x900-c-default.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240907T200000
DTEND;TZID=UTC:20240907T223000
DTSTAMP:20260404T064043
CREATED:20240810T142301Z
LAST-MODIFIED:20240810T143606Z
UID:10001192-1725739200-1725748200@cosfordcinema.com
SUMMARY:"LOVE LIES BLEEDING" (2024) FREE SCREENING
DESCRIPTION:The University of Miami’s Cinematic Arts Commission (CAC) invites you to a free screening of “Love Lies Bleeding” (2024)\, starring about a gym owner (Kristen Stewart) who falls in love with a bodybuilder (Katy M. O’Brian) and then runs afoul of a violent criminal family. \nShowtimes are 9 p.m. Wednesday Sept. 4 and 8 p.m. Saturday Sept. 7. 30. The screening is free and no tickets or registration required.
URL:https://cosfordcinema.com/event/love-lies-bleeding-2024-free-screening/2024-09-07/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:CAC,Free screenings
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/08/love.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240904T210000
DTEND;TZID=UTC:20240904T230000
DTSTAMP:20260404T064043
CREATED:20240810T142301Z
LAST-MODIFIED:20240810T143606Z
UID:10001191-1725483600-1725490800@cosfordcinema.com
SUMMARY:"LOVE LIES BLEEDING" (2024) FREE SCREENING
DESCRIPTION:The University of Miami’s Cinematic Arts Commission (CAC) invites you to a free screening of “Love Lies Bleeding” (2024)\, starring about a gym owner (Kristen Stewart) who falls in love with a bodybuilder (Katy M. O’Brian) and then runs afoul of a violent criminal family. \nShowtimes are 9 p.m. Wednesday Sept. 4 and 8 p.m. Saturday Sept. 7. 30. The screening is free and no tickets or registration required.
URL:https://cosfordcinema.com/event/love-lies-bleeding-2024-free-screening/2024-09-04/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:CAC,Free screenings
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/08/love.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240831T200000
DTEND;TZID=UTC:20240831T223000
DTSTAMP:20260404T064043
CREATED:20240810T141459Z
LAST-MODIFIED:20240810T141459Z
UID:10001188-1725134400-1725143400@cosfordcinema.com
SUMMARY:"DUNE: PART TWO" (2024) FREE SCREENING
DESCRIPTION:The University of Miami’s Cinematic Arts Commission (CAC) invites you to a free screening of “Dune: Part Two” (2024)\, starring Timothee Chalamet\, Zendaya\, Javier Bardem and Austin Butler. \nShowtimes are 9 p.m. Wednesday Aug. 28 and 8 p.m. Saturday Aug. 30. The screening is free and no tickets or registration required.
URL:https://cosfordcinema.com/event/dune-part-two-2024-free-screening/2024-08-31/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:CAC,Free screenings
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/08/dunepart2.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240828T210000
DTEND;TZID=UTC:20240828T233000
DTSTAMP:20260404T064043
CREATED:20240810T141459Z
LAST-MODIFIED:20240810T141459Z
UID:10001187-1724878800-1724887800@cosfordcinema.com
SUMMARY:"DUNE: PART TWO" (2024) FREE SCREENING
DESCRIPTION:The University of Miami’s Cinematic Arts Commission (CAC) invites you to a free screening of “Dune: Part Two” (2024)\, starring Timothee Chalamet\, Zendaya\, Javier Bardem and Austin Butler. \nShowtimes are 9 p.m. Wednesday Aug. 28 and 8 p.m. Saturday Aug. 30. The screening is free and no tickets or registration required.
URL:https://cosfordcinema.com/event/dune-part-two-2024-free-screening/2024-08-28/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:CAC,Free screenings
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/08/dunepart2.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240825T130000
DTEND;TZID=UTC:20240825T150000
DTSTAMP:20260404T064043
CREATED:20240811T132517Z
LAST-MODIFIED:20240825T163759Z
UID:10001229-1724590800-1724598000@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "I AM LOVE" (2009)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, Aug. 25\, for the kickoff screening of the 2024 fall edition of “Sundays at The U with Movies.” \nOur first title will be Luca Guadagnino’s 2009 Oscar-nominated masterpiece “I Am Love\,” starring Tilda Swinton. \nI AM LOVE | 2009 | DIRECTOR: Luca Guadagnino | WITH: Tilda Swinton\, Flavio Parenti\, Edoardo Gabbriellini\, Alba Rohrwacher | RUNNING TIME: 2 HOURS | RATED R for nudity\, sexual content | LANGUAGE: Italian\, Russian\, English | DIGITAL PROJECTION \nEmma (played by Swinton) left Russia to live with her husband in Italy. Now a member of a powerful industrial family\, she is the respected mother of three\, but feels unfulfilled. One day\, Antonio\, a talented chef and her son’s friend\, makes her senses kindle. \n\n  \n““I Am Love” is an amazing film. It is deep\, rich\, human. It is not about rich and poor\, but about old and new. It is about the ancient war between tradition and feeling. For this role\, Tilda Swinton learned to speak Italian with a Russian accent\, as Tilda Swinton would\, but her performance is nothing as trivial as a feat of learning. \n“She evokes Emma as a woman who for years has accepted the needs of the Recchis and discovers in a few days to accept her own needs. She must have been waiting a long time for Antonio\, whoever he would be.” — Roger Ebert \nTickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-i-am-love-2009/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/08/images-original-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240811T130000
DTEND;TZID=UTC:20240811T153000
DTSTAMP:20260404T064043
CREATED:20240407T172838Z
LAST-MODIFIED:20240409T195201Z
UID:10001159-1723381200-1723390200@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "DIVA" (1981)
DESCRIPTION:BUY TICKETS HERE\nJoin us for our weekly Sunday 1 p.m. matinee screening series with the 1981 arthouse smash “Diva\,” in digital projection. \nDIVA | 1981 | DIRECTOR: Jean-Jacques Beineix | WITH: Wilhelmina Fernandez\, Frederic Andrei\, Roland Bertin | RUNNING TIME: 1H 57M | RATED R for brief violence\, sexual situations\, nudity and adult themes | DIGITAL PROJECTION \nJean-Jacques Beineix (“Betty Blue\,” “The Moon in the Gutter”) directs this exhilarating action-thriller about Jules\, a young opera-loving mailman who becomes inadvertently entangled in murder after a young woman fleeing two mob hit men drops an incriminating cassette into his mailbag. \nJules has just recently recorded opera star Cynthia Hawkins’ latest concert\, something of a coup as Hawkins refuses to make recordings of any kind. Soon Jules finds himself the target of the hit men\, who want the voice recording\, and also of another couple of ominous and mysterious agents. \n  \n\n  \n“Take the chase between that moped and a cop. I didn’t think I could find this movie more enthralling or impressive. Then these two go at it. The pursuit starts on the streets\, vrooming through the arcades along Rue de Rivoli\, plunges into the Métro and\, fittingly for this movie\, terminates at the feet of the Paris Opera. \n“When Jules motors down into the subway\, most cops would give up. This one abandons his car and uses his feet. I haven’t seen anybody want to catch anything this desperately and this unsuccessfully since Wile E. Coyote. You can imagine Tom Cruise refusing to relent\, too. But after Jules gets away\, you’d never catch Cruise this doubled over and out of breath. — Wesley Morris\, The New York Times \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-diva-1981/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/04/Diva3_0.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240804T130000
DTEND;TZID=UTC:20240804T151500
DTSTAMP:20260404T064043
CREATED:20240408T002045Z
LAST-MODIFIED:20240408T123201Z
UID:10001170-1722776400-1722784500@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "WILD AT HEART" (1990)
DESCRIPTION:BUY TICKETS HERE\nJoin us on August 4 at 1 p.m. for our weekly Sunday screening series\, featuring director David Lynch’s Palme d’Or-winning fantasia”Wild at Heart” (1990) in digital projection. \nWILD AT HEART | 1990 | DIRECTOR: David Lynch | WITH: Nicolas Cage\, Laura Dern\, Willem Dafoe\, Diane Ladd\, Harry Dean Stanton | RUNNING TIME: 2H 5M | RATED R for strong bloody violence\, vulgar language\, sexual content\, nudity\, adult themes | DIGITAL PROJECTION \nYoung lovers Sailor and Lula run from the variety of weirdos that Lula’s mom has hired to kill Sailor. \n  \n\n”Wild at Heart” has as its inspiration Barry Gifford’s road novel about Lula Pace Fortune and her lover\, Sailor Ripley. Lula is just 20 years old and self-described as hotter than Georgia asphalt. Sailor Ripley is a gentle young man who has just served 22 months and 18 days for manslaughter\, having killed a man who attacked him with a knife. \n“Mr. Lynch has taken this slim\, vivid work and pumped it up into a cockeyed epic that goes back to the early days of Pop art. \n“In the center of the picture are the sweetly dopey\, flat\, shadowless figures of Lula (Laura Dern) and Sailor (Nicolas Cage)\, driving toward Big Tuna and earnestly realizing their destiny. Along the way they make intense love\, smoke Kools and Camels\, eat burgers\, drink beer and consider the future (”I’m sorry\, Sailor\,” says Lula after some introspection\, ”but the ozone layer is disappearing.”) \n“Around Lula and Sailor Mr. Lynch has created a kind of frieze of melodramatic characters and events – flashbacks as well as concurrent actions\, which sometimes enrich the film and sometimes have no pertinence except as found objects. It’s a matter of scale again.” — Vincent Canby\, The New York Times \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-wild-at-heart-1990/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/04/wildatheart3-1600x900-c-default.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240728T130000
DTEND;TZID=UTC:20240728T153000
DTSTAMP:20260404T064043
CREATED:20240407T232610Z
LAST-MODIFIED:20240408T123221Z
UID:10001169-1722171600-1722180600@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "CITY OF GOD" (2002)
DESCRIPTION:BUY TICKETS HERE\nJoin us on July 28 at 1 p.m. for our weekly Sunday screening series\, featuring co-director Fernando Meirelles’ Oscar-nominated drama “City of God” (2002) in digital projection. \nCITY OF GOD | 2002 | CO-DIRECTORS: Fernando Meirelles\, Katia Lund | WITH: Alexandre Rodrigues\, Leandro Firmino\, Matheus Nachtergaele | RUNNING TIME: 2H 10M | RATED R for strong bloody violence\, vulgar language\, adult themes | DIGITAL PROJECTION \nNominated for four Oscars\, including Best Director\, Best Adapted Screenplay\, Best Editing and Best Cinematography\, this hyper-kinetic\, harrowing and exhilarating drama is set in the slums of Rio\, Brazil\, where two kids’ paths diverge as one struggles to become a photographer and the other a kingpin. \n  \n\n  \n“”City of God” churns with furious energy as it plunges into the story of the slum gangs of Rio de Janeiro. Breathtaking and terrifying\, urgently involved with its characters\, it announces a new director of great gifts and passions: Fernando Meirelles. The film has been compared with Scorsese’s “GoodFellas\,” and it deserves the comparison. Scorsese’s film began with a narrator who said that for as long as he could remember he wanted to be a gangster. The narrator of this film seems to have had no other choice. \n“The movie takes place in slums constructed by Rio to isolate the poor people from the city center. They have grown into places teeming with life\, color\, music and excitement–and also with danger\, for the law is absent and violent gangs rule the streets. \n“In the virtuoso sequence opening the picture\, a gang is holding a picnic for its members when a chicken escapes. Among those chasing it is Rocket\, the narrator. He suddenly finds himself between two armed lines: the gang on one side\, the cops on the other. \n“Working with the cinematographer Cesar Charlone\, director Meirelles uses quick-cutting and a mobile\, hand-held camera to tell his story with the haste and detail it deserves. Sometimes those devices can create a film that is merely busy\, but “City of God” feels like sight itself\, as we look here and then there\, with danger or opportunity everywhere.” — Roger Ebert \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-city-of-god-2002/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/04/cityofgod.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240723T193000
DTEND;TZID=UTC:20240723T213000
DTSTAMP:20260404T064043
CREATED:20240719T153723Z
LAST-MODIFIED:20240719T154230Z
UID:10001183-1721763000-1721770200@cosfordcinema.com
SUMMARY:"20\,000 SPECIES OF BEES" FREE PREVIEW SCREENING
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\nIn conjunction with Miami Dade College and the Miami Film Festival\, you are invited to a free advance screening of the Spanish coming-of-age drama “20\,000 Species of Bees” at 7:30 p.m. Tuesday\, July 23. \n20\,000 SPECIES OF BEES | 2023| WRITER-DIRECTOR: Estibaliz Urresola Solaguren | WITH: Sofia Otero\, Patricia Lopez Arnaiz\, Ane Gabarain | RUNNING TIME: 2H 5M | UNRATED Contains sexual content\, nudity\, adult themes | IN SPANISH WITH ENGLISH SUBTITLES | 2K DCP projection \nIn her filmmaking debut\, writer-director Estibaliz Urresola Solaguren tells the story of an eight year-old girl who\, unhappy in her skin and at odds with her family\, finally recognizes her gender over the course of one pivotal summer\, and persuades others to recognize it too. \n\nAdmission is free but registration required at link below. Seating is limited. \n“Alternately mischievous and diffident\, as her character’s swinging moods and modes dictate\, Otero’s performance in the lead is utterly winning; a late scene in which she experiments with wearing a dress in public requires a subtle spectrum of emotions and body language cues from her\, and it’s to Solaguren’s credit that these turns never feel forced or affected. Indeed the film’s whole ensemble\, even at its most fractiously opposed\, is steered toward creased\, careworn restraint rather than shouty grandstanding.” — Guy Lodge\, Variety
URL:https://cosfordcinema.com/event/20000-species-of-bees-free-preview-screening/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Sneak Previews,Special Screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/07/1701174283816.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240721T130000
DTEND;TZID=UTC:20240721T160000
DTSTAMP:20260404T064043
CREATED:20240407T230714Z
LAST-MODIFIED:20240408T123240Z
UID:10001168-1721566800-1721577600@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "PLAYTIME" (1967)
DESCRIPTION:BUY TICKETS HERE\nJoin us on July 21 at 1 p.m. for our weekly Sunday screening series\, featuring actor-director Jacques Tati’s enchanting “PlayTime” (1967) in digital projection. \nPLAYTIME | 1967 | DIRECTOR: Jacques Tati | WITH: Jacques Tati\, Barbara Dennek\, Rita Maiden | RUNNING TIME: 2H 35M | UNRATED no offensive material | 2K DCP PROJECTION \nJacques Tati’s gloriously choreographed\, nearly wordless comedies about confusion in an age of high technology reached their apotheosis with PlayTime. For this monumental achievement\, a nearly three-year-long\, bank-breaking production\, Tati again thrust the lovably old-fashioned Monsieur Hulot\, along with a host of other lost souls\, into a baffling modern world\, this time Paris. \nWith every inch of its superwide frame crammed with hilarity and inventiveness\, PlayTime is a lasting record of a modern era tiptoeing on the edge of oblivion. \n\n  \n“Playtime is a movie that unfolds entirely in a public space. Even the strange sequence showing us adjacent living rooms is shot exclusively from the street; and the only time we see Barbara in her hotel room is when a maid delivers her evening dress. So there’s something inappropriate and contrary to Tati’s design for the film about its being viewed in private spaces\, especially on any screen smaller than oneself. \n“Playtime assumes a precise contiguity and continuity with the public space of a movie theater\, where we share its experience with others—just as the customers and employees of the Royal Garden eventually manage to carve out a common social investment in an establishment that’s gradually disintegrating around them. Even if we sometimes wind up laughing at different gags\, we’re all laughing to some degree at ourselves\, and the sense of mutual recognition is crucial. \n“Mobile phones have sadly made the sense of public urban space as it exists in Playtime almost archaic\, a kind of lost paradise. The utopian vision of shared space that informs the latter scenes—beginning in the new Royal Garden restaurant at night and continuing the next morning in a drugstore and on the streets of Paris—is made unthinkable by mobile phones\, whose use can be said to constitute both a depletion and a form of denial of public space\, especially because the people using them tend to ignore the other people in immediate physical proximity to them. \n“Nevertheless\, given his capacity to keep abreast of social changes\, I have little doubt that Tati\, if he were alive today\, could and probably would construct wonderful gags involving the use of these phones. And if he were making Playtime now\, I suspect he’d most likely be inventing gags for the first part that involved mobile phones\, and then would have to find ways of destroying or disempowering them to make way for the second part. (It’s hardly accidental that his most brilliantly and elaborately developed gag involves the shattering of glass\, another social barrier.)” — Jonathan Rosenbaum \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-playtime-1967/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/04/Playtime-Resized-1108x0-c-default.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240714T130000
DTEND;TZID=UTC:20240714T150000
DTSTAMP:20260404T064043
CREATED:20240408T123259Z
LAST-MODIFIED:20240408T123259Z
UID:10001167-1720962000-1720969200@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "NIGHTS OF CABIRIA" (1957)
DESCRIPTION:BUY TICKETS HERE\nJoin us on July 14 at 1 p.m. for our weekly Sunday screening series\, featuring director Federico Fellini’s Oscar-winning “Nights of Cabiria” (1957) in digital projection. \nNIGHTS OF CABIRIA | 1957 | DIRECTOR: Federico Fellini | WITH: Giuletta Masina\, Francois Perier\, Franca Marzi | RUNNING TIME: 1H 50M | UNRATED adult themes | DIGITAL PROJECTION \nIn the fifth of their immortal collaborations\, Federico Fellini and the exquisitely expressive Giulietta Masina completed the creation of one of the most indelible characters in all of cinema: Cabiria\, an irrepressible\, fiercely independent sex worker who\, as she moves through the sea of Rome’s humanity\, through adversity and heartbreak\, must rely on herself—and her own indomitable spirit—to stay standing. \nWinner of the best actress prize at Cannes for Masina and the Academy Award for best foreign-language film\, Nights of Cabiria brought the early\, neorealist-influenced phase of Fellini’s career to a transcendent close with its sublimely heartbreaking yet hopeful final image\, which embodies\, perhaps more than any other in the director’s body of work\, the blend of the bitter and the sweet that define his vision of the world. \n\n  \n“Nights of Cabiria” plays like a plucky collaboration on an adult theme between Fellini and Chaplin. Masina deliberately based her Cabiria on the Little Tramp\, I think–most obviously with some business with an umbrella\, and a struggle with the curtains in a nightclub. But while Chaplin’s character inhabited a world of stock villains and happy endings\, Cabiria survives at the low end of Rome’s prostitution trade. \n“When she’s picked up by a famous actor and he asks her if she works the Via Veneto\, the center of Rome’s glitz\, she replies matter-of-factly that\, no\, she prefers the Archeological Passage\, because she can commute there on the subway. \n“Cabiria is a working girl. Not a sentimentalized one\, as in “Sweet Charity\,” the Broadway musical and movie based on this story\, but a tough cookie who climbs into truck cabs\, gets in fights and hides in the bushes during police raids. \n“She’s proud to own her own house–a tiny shack in an industrial wasteland–and she dreams of sooner or later finding true romance\, but her taste in men is dangerous\, it’s so trusting; the movie opens with her current lover and pimp stealing her purse and shoving her into the river to drown. \n“Of all his characters\, Fellini once said\, Cabiria was the only one he was still worried about. In 1992\, when Fellini was given an honorary career Oscar\, he looked down from the podium to Masina sitting in the front row and told her not to cry. The camera cut to her face\, showing her smiling bravely through her tears\, and there was Cabiria.” — Roger Ebert \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-nights-of-cabiria-1957/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/04/epPH58KscSjuuKZ7vSicUgV1dStIvL.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240629T193000
DTEND;TZID=UTC:20240629T213000
DTSTAMP:20260404T064043
CREATED:20240623T190201Z
LAST-MODIFIED:20240625T124240Z
UID:10001182-1719689400-1719696600@cosfordcinema.com
SUMMARY:CELEBRATING DONALD SUTHERLAND: "M*A*S*H" (1970)
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\nIn celebration of the late Donald Sutherland\, you are invited to attend a free screening of one of his best films. \nM*A*S*H | 1970 | DIRECTOR: Robert Altman | WITH: Donald Sutherland\, Elliot Gould\, Tom Skerritt\, Sally Kellerman\, Robert Duvall | RATED R for sexual content\, nudity | RUNNING TIME: 1H 56M \nThe staff of a Korean War field hospital uses humor and hijinks to keep their sanity in the face of the horror of war. \nScreens at 7:30 p.m. Saturday June 29. Admission is FREE but registration is required at link above. \n\n  \n“The performances have a lot to do with the movie’s success. Elliott Gould and Donald Sutherland are two genuinely funny actors; they don’t have to make themselves ridiculous to get a laugh. They’re funny because their humor comes so directly from their personalities. They underplay everything (and Sutherland and Gould trying to downstage each other could eventually lead to complete paralysis). \n“Strangely enough\, they’re convincing as surgeons. During operations\, covered with blood and gore\, they mutter their way through running commentaries that sound totally professional. Sawing and hacking away at a parade of bodies\, they should be driving us away\, but they don’t. We can take the unusually high gore-level in “MASH” because it is originally part of the movie’s logic. If the surgeons didn’t have to face the daily list of maimed and mutilated bodies\, none of the rest of their lives would make any sense.” — Roger Ebert
URL:https://cosfordcinema.com/event/celebrating-donald-sutherland-mash-1970/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Special Screenings
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/06/mash.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240628T193000
DTEND;TZID=UTC:20240628T213000
DTSTAMP:20260404T064043
CREATED:20240623T183610Z
LAST-MODIFIED:20240625T124149Z
UID:10001181-1719603000-1719610200@cosfordcinema.com
SUMMARY:CELEBRATING DONALD SUTHERLAND: "KLUTE" (1971)
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\nIn celebration of the late Donald Sutherland\, you are invited to attend a free screening of one of his best films. \nKLUTE | 1971 | DIRECTOR: Alan J. Pakula | WITH: Jane Fonda\, Donald Sutherland\, Roy Scheider | RATED R for sexual content\, nudity\, brief violence\, adult themes | RUNNING TIME: 1H 54M \nA small-town detective searching for a missing man has only one lead: a connection with a New York prostitute. \nScreens at 7:30 p.m. Friday June 28. Admission is FREE but registration is required at link above. \n\n  \n“The movie embodies\, in the most rewarding way\, the transformations and contradictions that defined American cinema at the dawn of one of its most creatively fertile eras. Klute is not\, as Pakula feared it would be\, “a character study in a melodrama” but rather a character study that uses the trappings of melodrama to deepen its portrait of the character it’s studying. \n“The film undercuts every expectation it sets up: it’s a cop movie that isn’t about the cop; a modern western that almost never leaves the canyons\, hideaways\, and saloons of Manhattan; a whodunit that\, with defiant indifference\, gives away the “who” after forty minutes; and a thriller that\, although menace seems to choke every frame\, contains almost no violence at all. No wonder some critics were baffled.” — Mark Harris
URL:https://cosfordcinema.com/event/celebrating-donald-sutherland-klute-1971/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Special Screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/06/Klute-HERO.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240627T193000
DTEND;TZID=UTC:20240627T213000
DTSTAMP:20260404T064043
CREATED:20240623T181720Z
LAST-MODIFIED:20240625T123929Z
UID:10001180-1719516600-1719523800@cosfordcinema.com
SUMMARY:CELEBRATING DONALD SUTHERLAND: "DON'T LOOK NOW" (1973)
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\nIn celebration of the late Donald Sutherland\, you are invited to attend a free screening of one of his best films. \nDON’T LOOK NOW | 1973 | DIRECTOR: Nicolas Roeg | WITH: Donald Sutherland\, Julie Christie\, Hilary Mason | RATED R for sexual content\, nudity\, brief violence\, gore\, adult themes | RUNNING TIME: 1H 50M \nA married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters\, one of whom is psychic and brings a warning from beyond. \nScreens at 7:30 p.m. Thursday June 27. Admission is FREE but registration is required at link above. \nhttps://youtu.be/fxUveU9aHsk?si=W0bzZrWrMDlfHNuk \n““Don’t Look Now\,” based on a Daphne du Maurier short story\, iss full of disturbing cuts and sinister portents\, all driven by Roeg’s visionary skill as a cinematic manipulator of time and memory. No film has ever let you taste the grandeur and rot\, or the vertiginous anxiety\, that arises out of the ancient maze of Venice the way “Don’t Look Now” does. \n“In 1973\, the movie had the shock of the new\, and in a way it’s never lost that. It was the cinema’s first modern gothic\, the first tale of a ghost world that seemed to be unfolding in a place where such things were too corny to exist. \n“Don’t Look Now” is about something more than scaring you (though it did that just fine\, especially when a mysterious small figure in a red hood showed up); it is about a tear in the cosmic fabric. It is a prismatic poem of fear that makes it seem as if the nightmare is cracking open inside your head.” — Owen Gleiberman\, Variety
URL:https://cosfordcinema.com/event/celebrating-donald-sutherland-dont-look-now-1973/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Special Screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/06/DontLookNow-1.jpeg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240623T130000
DTEND;TZID=UTC:20240623T153000
DTSTAMP:20260404T064043
CREATED:20240407T213926Z
LAST-MODIFIED:20240618T173530Z
UID:10001165-1719147600-1719156600@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "THE HANDMAIDEN" (2016)
DESCRIPTION:BUY TICKETS HERE\nJoin us on June 23 at 1 p.m. for our weekly Sunday screening series\, featuring director Park Chan-Wook’s sublime erotic thriller “The Handmaiden” (2016) in digital projection. \nTHE HANDMAIDEN| 2016 | DIRECTOR: Park Chan-Wook | WITH: Kim Min-hee\, Ha Jung-woo\, Cho Jin-woong | RUNNING TIME: 2H 25M | UNRATED contains sexual situations\, nudity\, brief violence\, strong adult themes | DIGITAL PROJECTION \nIn 1930s Korea\, during the Japanese occupation\, a young woman is hired as a handmaiden to a Japanese heiress who lives a secluded life on a large countryside estate with her domineering uncle. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him\, rob her of her fortune\, and lock her up in a madhouse. The plan seems to proceed according to plan until the two women discover some unexpected emotions. \n  \n\n  \n“Sookee\, a former pickpocket\, is secretly working for a scam artist who passes himself off as a rich Japanese count. Their plan is to make a young heiress fall in love with him so he can marry her\, lock her away in an asylum and run off with her vast fortune. The heiress has thieves to the left of her\, creepers to the right\, and for the first 30 minutes of “The Handmaiden\,” you fear nothing but calamity is heading her way. \n“Then director Park Chan-wook pulls off his first reveal — one of the countless twists this sensual\, gorgeously depraved movie springs on you. Almost all of Park’s previous pictures (“Old Boy\,” “Stoker\,” “Lady Vengeance”) relied on the element of surprise to weave their corrosive magic. But “The Handmaiden” throws so many narrative curves at you that the film becomes a cinematic puzzle-box\, with secrets nestled within secrets within secrets. \n“Discovering them is huge fun. So is watching this grand\, elegant movie\, which finds Park in an unusually sunny mood. The story’s themes — the victims of colonialism\, the oppression between classes\, the damage wrought by cultural sexism — are serious. But they’re served up in a movie that makes its playful intentions obvious early on\, then starts batting the audience around in unexpected directions. \n“The film is best approached cold\, its turns of plot unspoiled. But more timid viewers should know Park has never been shy about depicting graphic sexuality in his work\, and he outdoes himself with “The Handmaiden\,” in which carnality plays such an important role it deserves its own screen credit. \n‘“The Handmaiden” hails from South Korea\, but compared to most American movies of its scale and budget\, it might as well have been made on another planet. This may not be Park’s best or gravest picture. But it might be his most entertaining.’ — Rene Rodriguez\, The Miami Herald \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-the-handmaiden-2016/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/04/handmaiden.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240622T170000
DTEND;TZID=America/New_York:20240622T190000
DTSTAMP:20260404T064043
CREATED:20240617T125938Z
LAST-MODIFIED:20240618T173353Z
UID:10001179-1719075600-1719082800@cosfordcinema.com
SUMMARY:GLOBAL FRONTIERS: "ONE LIFE" (2024)
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\n\nPlease join us at 5 p.m. Saturday\, June 22\, for the final installment in our groundbreaking film series\, Global Frontiers. \nThe Global Frontiers series is designed to bring two kinds of audiences together: Those who love films and those who care about contemporary issues. \nThis month’s selection is “One Life” (2024)\, which stars Anthony Hopkins\, Lena Olin and Helena Bonham Carter\, and tells the true story of Sir Nicholas Winton\, a British humanitarian who\, in 1939\, helped to arrange the escape of 669 predominantly Jewish children from Czechoslovakia. \nFor this event\, we are delighted to welcome back Professor Dina Moulioukova\, as our distinguished guest speaker. Prof. Moulioukova is a Senior Lecturer of International Studies at the University of Miami\, and Assistant Director and co-founder of the Global Security Initiative. \n\n  \nAs always\, admission is FREE but registration is required at link above. Hope to see you there!
URL:https://cosfordcinema.com/event/global-frontiers-one-life-2024/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Global Frontiers,Special Screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/06/GlobalFrontiersSixthEvent-Wide-scaled.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240616T130000
DTEND;TZID=UTC:20240616T150000
DTSTAMP:20260404T064043
CREATED:20240407T190951Z
LAST-MODIFIED:20240610T194624Z
UID:10001164-1718542800-1718550000@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "RUMBLE FISH" (1983)
DESCRIPTION:BUY TICKETS HERE\nJoin us on June 16 at 1 p.m. for our weekly Sunday screening series\, featuring director Francis Ford Coppola’s startling adaptation of the S.E. Hinto young adult novel “Rumble Fish” (1983) in digital projection. \nRUMBLE FISH | 1983 | DIRECTOR: Francis Ford Coppola | WITH: Matt Dillon\, Mickey Rourke\, Diane Lane\, Nicolas Cage\, Dennis Hopper\, Vincent Spano\, Laurence Fishburne | RUNNING TIME: 1H 34M | RATED R for language\, gang violence\, sexual situations\, nudity\, adult themes. |  DIGITAL PROJECTION \nIn this deeply personal tale of estrangement and reconciliation between two rebellious brothers\, set in a dreamlike and timeless Tulsa\, Francis Ford Coppola gives mythic dimensions to intimate\, painful emotions. \nThe director’s “art film for teenagers” was his second adaptation of young-adult novelist S. E. Hinton’s work in a single year\, after the more classically styled The Outsiders. Graced with a remarkable cast headed by Matt Dillon\, Mickey Rourke\, and Diane Lane; haunting black-and-white visuals that hark back to German expressionism; and a powerful percussive score by Stewart Copeland that underlines the movie’s romantic fatalism\, Rumble Fish pulsates throughout with genuine love and dread. \n  \n\n  \n“On Sundays during the Outsiders shoot\, Coppola and Hinton worked on the script for Rumble Fish\, a more intimate but also more strangely mythic narrative than that of The Outsiders. He then enlisted a couple of actors from the other film\, Matt Dillon\, then eighteen\, and Diane Lane\, then seventeen\, to play its leads. \n“Where for The Outsiders Coppola took a lush\, emotive\, romantic approach replete with allusions to Gone with the Wind (a favorite movie of one of its characters)\, with Rumble Fish he went about finding himself in a different way. The story here is very simple: Rusty-James (Dillon)\, a charming\, aimless gang leader\, searches for meaning in the absence of his legendary older brother\, the Motorcycle Boy. \n“The Motorcycle Boy cruises back into town at a crucial juncture for Rusty-James\, and the older brother has a message for the younger: he’s not going to find what he’s looking for. The brothers wrestle with their drunkard father\, Rusty-James wrestles with his feelings for his sometimes girlfriend\, Patty (Lane)\, a local cop sets his gun sight on the Motorcycle Boy\, and all the characters enact gestures and provocations both intimate and archetypal. \n“The future in which Rumble Fish is set resides at least in part in its vision of tormented but fluid masculinity. For a couple of supposed tough guys\, Rusty-James and the Motorcycle Boy are almost perversely lacking in machismo. They’re ideals of a sort; doomed as they may be\, they represent potential alternatives to the toxic masculinity of a Sonny Corleone. \n“Rumble Fish as a whole is suffused with that longing\, and it goes in many directions. Rusty-James may not be the brightest fellow\, but he has a desire that is very direct and possibly universal: “I just want you to see me\, man\,” he says through his pain.” — Glenn Kenny \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-rumble-fish-1983/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/04/rumblefish.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240610T193000
DTEND;TZID=America/New_York:20240610T213000
DTSTAMP:20260404T064043
CREATED:20240607T142421Z
LAST-MODIFIED:20240610T184517Z
UID:10001178-1718047800-1718055000@cosfordcinema.com
SUMMARY:"TREASURE" (2024) FREE SNEAK PREVIEW SCREENING
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\nThe Miami Jewish International Film Festival and the Cosford Cinema invite you to a free advance screening of the new film “Treasure” at 7:30 p.m. Monday\, June 10. \n\n  \nAfter the death of her estranged mother\, an American journalist (Lena Dunham) convinces her father (Stephen Fry) to go on a Holocaust tour in their homeland of Poland as a way to jumpstart her sense of self-identity. The comedy-drama was co-written and directed by Julia von Heinz\, based on the novel “Too Many Men” by Lily Brett. \nAdmission is FREE but registration required at link above.
URL:https://cosfordcinema.com/event/treasure-2024-free-sneak-preview-screening/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Sneak Previews
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2024/06/treasure.png
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240609T130000
DTEND;TZID=UTC:20240609T150000
DTSTAMP:20260404T064043
CREATED:20240407T184512Z
LAST-MODIFIED:20240604T145758Z
UID:10001163-1717938000-1717945200@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "UMBERTO D." (1952)
DESCRIPTION:BUY TICKETS HERE\nJoin us on June 9 at 1 p.m. for our weekly Sunday screening series\, featuring director Vittoria De Sica’s unforgettable “Umberto D.” (1952) in 2K DCP projection. \nUMBERTO D. | 1952 | DIRECTOR: Vittorio De Sica | WITH: Carlo Battisti\, Maria Pia Casilio\, Lina Gennari | RUNNING TIME: 1H 29M | UNRATED no offensive material | 2K DIGITAL PROJECTION \nThis neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italy’s postwar economic recovery. Alone except for his dog\, Flike\, Umberto struggles to maintain his dignity in a city where human kindness seems to have been swallowed up by the forces of modernization. \nHis simple quest to satisfy his basic needs—food\, shelter\, companionship—makes for one of the most heartbreaking stories ever filmed\, and an essential classic of world cinema. \n  \n\n  \n“Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long\, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning routine)\, performed with little or no dialogue and shot as if in real time. People who admire the work of such contemporary filmmakers as Hou Hsiao-hsien\, Chantal Akerman\, and Abbas Kiarostami can see something up-to-date in this aspect of Umberto D.\, and even recognize in it a principal source of today’s cinema of the steady gaze. \nThese same critics generally dislike the pooch. They feel that screenwriter Cesare Zavattini and director Vittorio De Sica did enough to immiserate their title character by depriving him of youth\, family\, friends\, health\, money\, and home. Surely an audience needs no further prompting to feel the isolation of Umberto Domenico Ferrari. \n“That the filmmakers also make him go everywhere with little Flike—clutching him to his breast\, fretting over his well-being\, ultimately begging the dog to come play with him—seems to these viewers an almost invasive ploy\, as if Zavattini and De Sica were trying to force into their hands an already soggy handkerchief. \n“But as someone who begins weeping at the first notes of the title music—someone who thinks this film’s long\, undramatic sequences can be seen best when watched through tears—I wouldn’t want Zavattini and De Sica to have backed off. I believe their greatest work\, which surely includes Umberto D.\, kept touch faithfully with popular sentiment\, even while helping to create the decidedly unpopular tradition of the art-house film. \n“Perhaps today’s division between auteurist productions and mass-market movies might be eased\, and contemporary cinema enlivened\, if our filmmakers would more often put themselves at risk as Zavattini and De Sica did with Umberto D.” — Stuart Klawans \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-umberto-d-1952/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/04/current_491_100_medium.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240602T130000
DTEND;TZID=UTC:20240602T150000
DTSTAMP:20260404T064043
CREATED:20240407T181242Z
LAST-MODIFIED:20240408T123518Z
UID:10001162-1717333200-1717340400@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "TRUE LOVE" (1989)
DESCRIPTION:BUY TICKETS HERE\nJoin us on June 2 at 1 p.m. for our weekly Sunday screening series\, featuring the 1989 Sundance Film Festival Grand Jury Prize winner “True Love” in digital projection. \nTRUE LOVE | 1989 | DIRECTOR: Nancy Savoca | WITH: Annabella Sciorra\, Ron Eldard\, Aida Turturro\, Roger Rignack | RUNNING TIME: 1H 44M | RATED R for language | DIGITAL PROJECTION \nDonna and Michael are getting married. But first\, they have to plan the reception\, get the tux\, buy the rings\, and cope with their own uncertainty about the decision. Michael fears commitment. Donna has her doubts about Michael’s immaturity. Both are getting cold feet. \n  \n\n  \n“There is a sense in “True Love” that the marriage preparations lead to marriage almost through the sheer force of momentum. A hall has to be hired. A menu has to be selected (with mashed potatoes dyed to match the color of the bridesmaids’ dresses). Families and friends swarm about the two stars of the event\, until they hardly have time to communicate with each other. \n“But they do talk. And gradually\, as we listen\, we begin to realize that “True Love” is deeper than it first seems. The movie begins as a comedy of wedding preparations and lifestyles\, but as it goes along and we get to know Donna and Michael better\, we begin to suspect that these people should never get married\, that Michael is an immature alcoholic and that in some ways Donna knows it but lacks the determination to call off the ceremony.” — Roger Ebert \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-true-love-1989/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/04/true_love_1.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240601T170000
DTEND;TZID=UTC:20240601T190000
DTSTAMP:20260404T064043
CREATED:20240523T133526Z
LAST-MODIFIED:20240525T201421Z
UID:10001177-1717261200-1717268400@cosfordcinema.com
SUMMARY:GLOBAL FRONTIERS: "DOCTORS\, APPS AND ARTIFICIAL INTELLIGENCE: THE FUTURE OF MEDICINE"
DESCRIPTION:REGISTER FOR FREE TICKETS HERE \n  \nPlease join us at 5 p.m. Saturday\, June 1\, for the next installment in our groundbreaking film series\, Global Frontiers. \nThe Global Frontiers series is designed to bring two kinds of audiences together: Those who love films and those who care about contemporary issues. \nThis month’s selection is the 2022 documentary “Doctors\, Apps\, and Artificial Intelligence – The Future of Medicine.” The film explores the impact of AI  on the future of medicine\, healthcare and medical education. It argues how AI promises improved diagnoses\, fewer errors\, and how we may need to think differently when it comes to the training of the next generation of physicians. \n  \n\n  \nFor this event\, we are delighted to have Professor Lina Shehadeh from the University of Miami Miller School of Medicine\, Division of Cardiology and Interdisciplinary Stem Cell Institute\, as our distinguished guest speaker. \nProfessor Shehadeh runs a basic science and translational cardiovascular research laboratory that has been continuously funded for over a decade by the NIH\, American Heart Association\, and the Miami Heart Research Institute. \nFor the past six years\, she has also been the Director of the Cardiovascular Systems educational module for first-year MD and MD/MPH students at the University of Miami Miller School of Medicine\, where she has introduced unique organization and innovation in blended learning techniques. \nAs usual\, admission is FREE but registration required at link above. Hope to see you there!
URL:https://cosfordcinema.com/event/global-frontiers-doctors-apps-and-artificial-intelligence-the-future-of-medicine/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Free screenings,Global Frontiers,Special Screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/05/GlobalFrontiersFifthEvent-wide-scaled.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240512T130000
DTEND;TZID=UTC:20240512T150000
DTSTAMP:20260404T064043
CREATED:20240407T175814Z
LAST-MODIFIED:20240408T123551Z
UID:10001160-1715518800-1715526000@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "GIRLHOOD" (2014)
DESCRIPTION:BUY TICKETS HERE\nJoin us on May 12 at 1 p.m. for our weekly Sunday screening series\, featuring the 2014 award-winning drama “Girlhood” in 2K digital projection. \nGIRLHOOD | 2014 | DIRECTOR: Céline Sciamma | WITH: Karidja Toure\, Assa Sylla\, Lindsay Karamoh | RUNNING TIME: 1H 53M | UNRATED contains violent content\, sexual situations\, brief nudity and alcohol/smoking | 2K DIGITAL PROJECTION \nOppressed by her family setting\, dead-end school prospects and the boys law in the neighborhood\, Marieme starts a new life after meeting a group of 3 free-spirited girls. She changes her name\, her dress code\, and quits school to be accepted in the gang\, hoping that this will be a way to freedom. \n\n  \n“Céline Sciamma’s “Girlhood” can be described (like so many movies these days) as a coming-of-age story\, and it honors the genre\, and its main character\, with exemplary sensitivity and sympathy. But even as she stops at familiar stations on the road to maturity — problems at home and school\, new friendships and first love — Ms. Sciamma revels in the risky\, reckless exuberance of adolescence and in the sheer joy of filming it. \n“While “Girlhood” is sad and wrenching\, it doesn’t feel like a misery-mongering expression of high-minded (and therefore condescending) concern. This is because Karidja Touré\, evolving from the shy Marieme into the assertive Vic\, carries herself with the kind of dignity that disarms all pity\, and also because Ms. Sciamma is less interested in what Marieme might represent than in what she experiences. \n“While the movie has a lot to say about the general condition of being a girl\, in the Paris banlieues and elsewhere\, it never loses sight of the specific girl at its heart.” — A.O. Scott\, The New York Times \nThe screening will be introduced by Bill Cosford Cinema manager Rene Rodriguez. Tickets are $5 and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door.
URL:https://cosfordcinema.com/event/sundays-at-the-cosford-with-movies-girlhood-2014/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/04/girlhood-2014-008-four-girls-hanging-out.jpg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240505T160000
DTEND;TZID=UTC:20240505T210000
DTSTAMP:20260404T064043
CREATED:20240423T152920Z
LAST-MODIFIED:20240423T152920Z
UID:10001174-1714924800-1714942800@cosfordcinema.com
SUMMARY:26TH ANNUAL CANES FILM FESTIVAL
DESCRIPTION:REGISTER FOR FREE TICKETS HERE\n100 FILMS – 3 NIGHTS – 1 AMAZING FESTIVAL \n \nThe BEST student film screening in the world! The 26th annual UM Canes Film Festival premieres the work produced by UM students in the Department of Cinematic Arts at the state-of-the-art Cosford Cinema. The festival dates/times are 4:00 P.M. Friday May 3\, 3 p.m. Saturday May 4 and 4 p.m. Sunday May 5. \nAdmission is free and open to the public! Click on the link above to register for tickets. \nVisit www.canesfilmfestival.com for more information.
URL:https://cosfordcinema.com/event/26th-annual-canes-film-festival-3/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Event,Free screenings,Special Screenings
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2024/04/processed-0A5F43B4-8A64-4EB8-AC52-548FDB0DA1E8-scaled.jpeg
ORGANIZER;CN="Cinematic Arts Commission":MAILTO:cosford@miami.edu
END:VEVENT
END:VCALENDAR