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X-WR-CALDESC:Events for The Bill Cosford Cinema
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250302T130000
DTEND;TZID=UTC:20250302T153000
DTSTAMP:20260502T002127
CREATED:20250226T204136Z
LAST-MODIFIED:20250226T222747Z
UID:10001303-1740920400-1740929400@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "THE WAGES OF FEAR" (1953)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, March 2\, for Henri-Georges Clouzot’s suspense masterpiece “The Wages of Fear\,” a thriller about four men hired to drive two trucks loaded with nitroglycerine across mountainous\, treacherous terrain. \nTHE WAGES OF FEAR | 1953 | DIRECTOR: Henri-Georges Clouzot | WITH: Yves Montand\, Charles Vanel\, Peter van Eyck\, Folco Lulli | RUNNING TIME: 2H 36M | IN FRENCH with English subtitles | UNRATED | PROJECTED IN 2K \nIn a squalid South American oil town\, four desperate men sign on for a suicide mission to drive trucks loaded with nitroglycerin over a treacherous mountain route. As they ferry their explosive cargo to a faraway oil fire\, each bump and jolt tests their courage\, their friendship\, and their nerves. The result is one of the greatest thrillers ever committed to celluloid\, a white-knuckle ride from France’s legendary master of suspense Henri-Georges Clouzot. \n\n  \n“One thing that establishes “The Wages of Fear” as a film from the early 1950s\, and not from today\, is its attitude toward happy endings. Modern Hollywood thrillers cannot end in tragedy for its heroes\, because the studios won’t allow it. “The Wages of Fear” is completely free to let anything happen to any of its characters\, and if all four are not dead when the nitro reaches the blazing oil well\, it may be because Clouzot is even more deeply ironic than we expect. \n“The last scene\, where a homebound truck is intercut with a celebration while a Strauss waltz plays on the radio\, is a reminder of how much Hollywood has traded away by insisting on the childishness of the obligatory happy ending.” — Roger Ebert \nTickets are $6 (including service charge) and available at link above. Students use code UMSTUDENT at checkout for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-the-wages-of-fear-1953/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Special Screenings,Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2025/02/wages-of-fear.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250309T130000
DTEND;TZID=UTC:20250309T150000
DTSTAMP:20260502T002127
CREATED:20250226T214018Z
LAST-MODIFIED:20250226T214018Z
UID:10001306-1741525200-1741532400@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "DIABOLIQUE" (1955)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, March 9\, for Henri-Georges Clouzot’s wicked thriller “Diabolique\,” about two women who hatch a diabolical revenge plot. \nDIABOLIQUE | 1955 | DIRECTOR: Henri-Georges Clouzot | WITH: Simone Signoret\, Vera Clouzot\, Paul Meurisse\, Charles Vanel | RUNNING TIME: 1H 57M | IN FRENCH with English subtitles | UNRATED | PROJECTED IN 2K \nBefore “Psycho\,” “Peeping Tom\,” and “Repulsion\, there was “Diabolique.” This thriller from Henri‑Georges Clouzot\, which shocked audiences in Europe and the U.S.\, is the story of two women—the fragile wife and the willful mistress of the sadistic headmaster of a boys’ boarding school—who hatch a daring revenge plot. With its unprecedented narrative twists and terrifying images\, “Diabolique” is a heart-grabbing benchmark in horror filmmaking. \n  \n\n  \n“The movie has fun with the usual whodunit details: The split-second timetables\, and the sleepy old guard who must open the gates to let anyone in or out of the school grounds. The Inspector also amuses himself reconstructing timetables and quizzing a small student who seems to see and hear impossible things. Then comes the ending\, inspired by “Gaslight\,” in which a woman is either going mad\, or nothing is as it seems. “Diabolique” is so well constructed that even today it works on its intended level.” — Roger Ebert \nTickets are $6 (including service charge) and available at link above. Students use code UMSTUDENT at checkout for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-diabolique-1955/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2025/02/36875f9391dc2ed074fc760db47c3761.jpeg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250316T130000
DTEND;TZID=UTC:20250316T130000
DTSTAMP:20260502T002127
CREATED:20250227T135246Z
LAST-MODIFIED:20250227T135246Z
UID:10001308-1742130000-1742130000@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "BELLE DE JOUR" (1967)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, March 16\, for Luis Bunuel’s box office smash “Belle de Jour\,” starring Catherine Deneuve as a housewife who starts secretly spending her afternoon working at a bordello. \nBELLE DE JOUR | 1967 | DIRECTOR: Luis Bunuel | WITH: Catherine Deneuve\, Jean Sorel\, Michel Piccoli | RUNNING TIME: 1H 40M | IN FRENCH with English subtitles | UNRATED | PROJECTED IN 2K \nCatherine Deneuve’s porcelain perfection hides a cracked interior in one of the actress’s most iconic roles: Séverine\, a Paris housewife who begins secretly spending her after­noon hours working in a bordello. \nThis surreal and erotic late-sixties daydream from provocateur for the ages Luis Buñuel is an examination of desire and fetishistic pleasure (its characters’ and its viewers’)\, as well as a gently absurdist take on contemporary social mores and class divisions. Fantasy and reality commingle in this burst of cinematic transgression\, which was one of Buñuel’s biggest hits. \n  \n\n  \n“It is possibly the best-known erotic film of modern times\, perhaps the best. That’s because it understands eroticism from the inside-out–understands how it exists not in sweat and skin\, but in the imagination. \n“Belle de Jour” is seen entirely through the eyes of Severine\, the proper 23-year-old surgeon’s wife\, played by Catherine Deneuve. Bunuel\, who was 67 when the film was released\, had spent a lifetime making sly films about the secret terrain of human nature\, and he knew one thing most directors never discover: For a woman like Severine\, walking into a room to have sex\, the erotic charge comes not from who is waiting in the room\, but from the fact that she is walking into it. Sex is about herself. Love of course is another matter.” — Roger Ebert \nTickets are $6 (including service charge) and available at link above. Students use code UMSTUDENT at checkout for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-belle-de-jour-1967/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/png:https://cosfordcinema.com/wp-content/uploads/2025/02/belle.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250323T130000
DTEND;TZID=UTC:20250323T150000
DTSTAMP:20260502T002127
CREATED:20250227T141718Z
LAST-MODIFIED:20250227T141718Z
UID:10001309-1742734800-1742742000@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "THREE COLORS: RED" (1994)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, March 23\, for director Krzysztof Kieślowski’s incandescent meditation on fate and chance\, about a sweet-souled yet somber runway model in Geneva whose life dramatically intersects with that of a bitter retired judge\, \nTHREE COLORS: RED | 1994 | DIRECTOR:Krzysztof Kieślowski  | WITH: Irene Jacob\, Jean-Louis Trintignant\, Frederique Feder\, Jean-Pierre Lorit | RUNNING TIME: 1H 39M | IN FRENCH with English subtitles | RATED R for a brief but strong sex scene | PROJECTED IN 4K \nThe final installment in Kieślowski’s colors trilogy (after “Blue” and “White\,” named for the colors of the French flag)\, “Red” tells the story of young model and student Valentine (Irène Jacob)\, who hits a dog with her car and thus begins a strange relationship with its owner\, retired judge Joseph Kern (Jean-Louis Trintignant)\, does not offer a straightforwardly heartwarming vision of humanity\, nor does it clearly preach the socialist politics we may naturally associate with the titular color. “Red ultimately culminates with a note of tentative optimism\, not just for the protagonists of this film but for those of the entire trilogy. \n  \n\n  \n“One day Valentine’s car strikes a dog\, and she takes it to the home of its owner\, a retired judge. He hardly seems to care for the dog\, or for her. He spends his days in an elaborate spying scheme\, using wiretaps to monitor an affair being carried on by a neighbor. There is an instant spark that strikes between the old man and the young woman – a contact\, a recognition of similarity\, or sympathy – but they are 40 years apart in age\, strangers to one another\, and have met by accident\, and . . . \n“The story becomes completely fascinating. We have no idea where it is going\, where it could possibly go. There is no plot to reassure us. No goal that the characters hope to attain. Will the young woman and the judge ever meet again? What will come of that? Does it matter? Would it be good\, or bad? Such questions\, in “Red\,” become infinitely more interesting than the questions in simple-minded commercial movies\, about whether the hero will kill the bad guys\, and drive his car fast\, and blow things up\, or whether his girlfriend will take off her clothes. \n“Seeing a movie like “Red\,” we are reminded that watching many commercial films is the cinematic equivalent of reading Dick and Jane. The mysteries of everyday life are so much deeper and more exciting than the contrivances of plots.” — Roger Ebert \nTickets are $6 (including service charge) and available at link above. Students use code UMSTUDENT at checkout for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-three-colors-red-1994/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Sunday screenings at the Cosford
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BEGIN:VEVENT
DTSTART;TZID=UTC:20250330T130000
DTEND;TZID=UTC:20250330T150000
DTSTAMP:20260502T002127
CREATED:20250226T222235Z
LAST-MODIFIED:20250226T222235Z
UID:10001307-1743339600-1743346800@cosfordcinema.com
SUMMARY:SUNDAYS AT THE U WITH MOVIES: "MONTEREY POP" (1968)
DESCRIPTION:BUY TICKETS HERE\nJoin us at 1 p.m. Sunday\, March 30\, for a rare screening of “Monterey Pop\,” director D.A. Pennebaker’s iconic documentary about the greatest pre-Woodstock rock and roll festival of all time. \nMONTEREY POP | 1968 | DIRECTOR: D.A. Pennebaker | WITH: Otis Redding\, Jimi Hendrix\, Janis Joplin\, The Mamas and the Papas\, Art Garfunkel\, Paul Simon\, Ravi Shankar\, The Who | RUNNING TIME: 1H 18M | UNRATED | 4K RESTORATION \nOn a beautiful June weekend in 1967\, at the beginning of the Summer of Love\, the first Monterey International Pop Festival roared forward\, capturing a decade’s spirit and ushering in a new era of rock and roll. Monterey featured career-making performances by Jimi Hendrix\, Janis Joplin\, and Otis Redding\, but they were just a few among a wildly diverse cast that included Simon and Garfunkel\, the Mamas and the Papas\, the Who\, the Byrds\, Hugh Masekela\, and the extraordinary Ravi Shankar. With his characteristic vérité style\, D. A. Pennebaker captured it all\, immortalizing moments that have become legend: Pete Townshend destroying his guitar\, Jimi Hendrix burning his. \n  \n\n  \n  \n“Fifty years on\, what ‘Monterey Pop’ offers contemporary audiences is a powerful reminder of a largely absent world\, a glimpse into an era that begat one of the last collective gasps of romantic utopianism of our time. Myths tell of things that never were but always are. “Monterey Pop” captures icons who certainly were\, but who also exist for us\, like their predecessors from antiquity\, in the ethereal eternity of our collective mythology. \n“Pennebaker’s film has never looked or sounded as dynamic and shockingly modern as it does in this fiftieth-anniversary restoration.  At moments\, Hendrix\, Redding\, and Joplin seem to be performing from a place beyond their own ability\, their talent and questing spirit buoyed by the era. For as long as we revisit Monterey Pop\, these figures\, like constellations\, remain brilliantly alive for us beyond their own small purchase of time.” Michael Chaiken \nTickets are $6 (including service charge) and available at link above. Students use code UMSTUDENT at checkout for free admission (must show Cane card at the door).
URL:https://cosfordcinema.com/event/sundays-at-the-u-with-movies-monterey-pop-1968/
LOCATION:Cosford Cinema\, 5030 Brunson Drive\, Coral Gables\, FL\, 33146\, United States
CATEGORIES:Sunday screenings at the Cosford
ATTACH;FMTTYPE=image/jpeg:https://cosfordcinema.com/wp-content/uploads/2025/02/67d18897b0b6650af832334f2ab7b56a.jpeg
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